SCULLY & OSTERMAN 2010 Workshops:

Wet-Plate Collodion, Albumen Printing & Other Early Photographic Processes

Rochester, NY - Dallas, TX - London, UK - Pittsburgh, PA - Santa Fe, NM - Lacock Abbey, UK

and more....

 

Learn from your "teacher's teacher."
See partial list of students here and institutions list at bottom of page.

The Scully & Osterman Collodion workshop was one of the best I've ever attended. I now have a much better understanding of the process and a greater control of the negative.

Your depth of knowledge and academic experience provides a very insightful and unique learning experience. The facility enables the student to work side by side with the teacher, allowing the student to see, learn, and understand what is going on throughout the process.

Thank you for sharing your knowledge with us, and thank you for your impeccable hospitality.

Robert (Ohio), January 2010

 






Dan Estabrooke using Pantograph at F295 workshop


 


Emmet Gowin's self-portrait ambrotype**

 

 

**[Photo by M.Teresa Simao]

 



Wet-plate Collodion Classes

in
London, UK
(dates & location to be announced)

 

This workshop will be held in the spring. Details of the class are still being planned.

This class is an opportunity for beginners and those with collodion experience to broaden their understanding of the process.

 

Experience with collodion not required.

The manual, The Wet-Plate Process, A Working Guide, by Mark Osterman is included.

For more information email us

 

 




Poppy, ©2008 Ron Cowie



Orotone (workshop demo)


ambrotype from Magic Lantern Slide by Izzi Clark



Albumen Printing Workshop


with France Scully Osterman


This class will begin by examining "What kind of negative makes a good albumen print?" and "What should a good albumen print look like?" Next the class will discuss formulas to use and how to tweek them to achieve the color and contrast desired.

The class will be guided through the entire process, from make the albumen solution, (cracking eggs) to
floating paper, making solutions, and making the final print (including gold-toning).

Participants will have the opportunity to make as many prints as time allows and may bring their own negatives with prior approval from the instructor for use and/or discussion.

Negatives will also be provided to make albumen prints.



July 10 & 11, 2010 (Sat, Sun)
F295 Studio, Pittsburgh, PA


Time: 9 am to 5 pm (with break for lunch)
Cost: $350 (+ Lab Fee )*

Class is limited to six participants.

To pre-register for this class click here


* lab fee is for disposables and chemicals (at cost)






floating paper on albumen solution

 


Coated paper drying in studio



July 25-30, 2010
Santa Fe Photographic Workshops
, Santa Fe, NM


Wet-Plate Collodion: Back to the Future
Positives, Negatives & Photograms; in the darkroom and in the field


a five day workshop
with Instructors: Jill Enfield
& France Scully Osterman



The week will begin with studying and discussing examples of 19th-century and contemporary ambrotypes, tintypes, and negatives, and the types of prints participants may create during this workshop.

Jill and France will demonstrate mixing chemicals, how to use enlargers to make positives and photograms, and teach how to make and use a portable darkroom in any situation—from an empty box to a car trunk. The class will then head off into the field with a variety of 19th-century and contemporary cameras, to make images in the beautiful surroundings of Santa Fe.

Jill will guide participants step-by-step through the process to make wet-plate positives (ambrotypes and tintypes), while France will focus on teaching how to make wet-plate negatives which will be scanned for digital printing.

In addition to creating several of your own unique plates during the week, you also gain a thorough knowledge of the collodion process and a clear understanding of how to incorporate this time-honored process in your own photography and art.

For more details click here


August 9-13, 2010

1835: The Dawn of Photography
Talbot’s Experiments at Lacock


A five day workshop
with Mark Osterman and France Scully Osterman

This class offers a unique opportunity for conservators, museum archivists, artists, photographers, collectors and photohistorians to become immersed in the world of William Henry Fox Talbot.

The class will recreate Talbot’s experiments beginning with the Camera Lucida, collect and press local flora, and make photogenic drawings.
Each participant will receive their own early style printing frame to press flora and their own mousetrap camera (like Talbot used) to make in-camera photogenic drawing negatives, plus a portfolio to take their samples and prints home.

held at Historic Lacock Abbey in Chippenham (UK)


For information click here

 

more images from Past S&O workshops:


France drying prints at Maison Niepce

Photogram ©Bob Hirsch


Dana's ruby ambrotype



entering the S&O studio

making the exposure



Maria Anna Bierwirth making an ambrotype (Berlin)


ruby ambrotype

self-portrait tintype

both (above) by Adam Ottavi Schiesl in private tutorial





one of Mark's test shots

 




Workshop full? Maybe you'd like to consider a private class....

Email us to discuss your goals with this process:
sculloster(at)gmail.com

 




Negatives above and salt print below by Melitte Buchman
Made in advanced class at S&O Studio



 


Dave's still life ambrotype, March workshop
at Scully & Osterman Studio, Rochester, NY






France varnishes plates at Princeton University in March 2009 with
Emmet Gowin, Anne McCauley and students [Photo by M.Teresa Simao]
 

Private, personalized tutorials are held year-round in the Scully & Osterman Skylight Studio.
Call or email to discuss your goals with this process and our schedules.

___________

The Ostermans have given demonstrations and workshops for (selected list):


Princeton University, Princeton, NJ
Centro de Estudos em Fotografia da Golega, Golega, Portugal
F295 Symposium, Pittsburgh Filmmakers, Pittsburgh, PA
Harvard University, Cambridge, MA
Minnie Weisz Studio, London, UK
Staatliche Akademie der Bildenden Künste, Stuttgart, Germany
Fachhochschule für Technik und Wirtschaft, Berlin, Germany
Escuela Nacional de Conervación, Restauración y Museografia, Mexico City
Harry Ransom Center, U of Texas, Austin, TX
Alchemy Studios, Phoenix, AZ
Art Institute of Boston, Boston, MA
Amon Carter Museum, Ft. Worth, Texas
Tyler School of Art, Philadelphia, PA
Project Basho, Philadelphia, PA
Notre Dame University, South Bend, IN
New England School of Photography, Boston, MA
University of Missouri, Kansas City, MO
Tokushima University, Tokushima, Japan
George Eastman House, Rochester, NY
Maison Niepce, St. Loup de Varennes, France

Photographer's Formulary, Condon, Montana
Diputacion Provincial de Huesca, Huesca, Spain
Century Darkroom, Toronto, Canada
Nat'l Museum of American Art, Smithsonian Institution, Wash, DC
National Library of Ireland, Dublin, Ireland
Segura Publishing, Tempe, AZ
Baltimore and Ohio Railroad Museum, Baltimore, MD
Mercer Museum, Doylestown, Pennsylvania
Princeton Arts Council, Princeton, NJ
Eckley Miners Museum, Scranton, PA
Eastfield Village, Nassau, NY
Historic Richmondtown, Staten Island, NY
Fleetwood Museum, N. Plainfield, NY

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


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